IWAI Shigeaki

    General Education Division Associate Professor
Last Updated :2024/04/25

Researcher Information

Degree

  • Master(1992/03 Keio University)

J-Global ID

Research Interests

  • イギリス・ロマン主義   picturesque   Digitization   English Romanticism   Samuel Taylor Coleridge   

Research Areas

  • Humanities & social sciences / Literature - British/English-languag / English Romanticism

Academic & Professional Experience

  • 2003/10 - 2003/12  University of London, Royal HollowayDigital Image Archive of Medieval Music (DIAMM)Researcher
  • 2001/10 - 2003/09  University of HertfordshireHigher Education Digitisation Service (HEDS)Digitisation Consultant
  • 1996/04 - 2001/05  Keio UniversityHUMIプロジェクト研究員

Education

  • 1992/04 - 1995/03  Keio University  文学研究科博士課程  英語英米文学専攻
  • 1990/04 - 1992/03  Keio University  文学研究科修士課程  英語英米文学専攻
  • 1988/04 - 1990/03  Keio University  Faculty of Letters  英語英米文学専攻
  • 1981/04 - 1986/03  Keio University  Faculty of Letters  美学美術史学専攻

Published Papers

  • William Gilpin's _Tour to the Lakes_ and His Idea of "Picturesque"
    IWAI Shigeaki
    Ikoma Journal of Economics 15 (1) 127 - 142 2017/07 
    After publishing his An Essay upon Prints in 1768, William Gilpin began several tours around the British Island starting 1769. The records of his travels were published as a series later in his life. One of such writings, Tour to the Lakes published in 1786 was based on the record of his“picturesque tour"to the Lake District in 1772. While the subject of Gilpin's theory of picturesque beauty in An Essay upon Prints was artificial productions created by the masters of prints, in Tour to the Lakes his aesthetic theory was applied to evaluate the beauty of natural landscapes. The ideas of“picturesque eye"and“imagination"play important roles in his discussions of landscape beauty.
  • IWAI Shigeaki
    Ikoma Journal of Economics 近畿大学経済学会 12 (1) 21 - 45 1348-8686 2014/07 
    In his Observation on the River Wye published in 1782, William Gilpin criticizes the landscape descriptions made by the poet John Dyer in his landscape poem"Grongar Hill"(1726). Gilpin's criticism is based on his "Principles of Picturesque Beauty" and he indicates that many of Dyer's landscape descriptions deviate from such principles. Why Gilpin is very strict on the "Principles of Picturesque Beauty" ? The author attributes Gilpin's adherence to the principles to his view of nature, and argues that his principles are the only means to visualize the"invisible"in nature, which is the harmonious wholeness hidden from the human eye.
  • 岩井 茂昭
    近畿大学教養・外国語教育センター紀要(外国語編) 近畿大学教養・外国語教育センター 3 (2) 33 - 47 2185-6982 2013/03 [Refereed]
     
    著者専攻: イギリス文化史
  • 岩井 茂昭
    近畿大学教養・外国語教育センター紀要(外国語編) 近畿大学教養・外国語教育センター 2 (1) 97 - 111 2185-6982 2011/11 [Refereed]
     
    著者専攻: 18-19世紀イギリス文化史
  • 岩井 茂昭
    近畿大学英語研究会紀要 近畿大学英語研究会 (1) 151 - 163 1882-7071 2008/02 [Refereed]
     
    記事区分:原著
  • 岩井 茂昭
    言語文化学会論集 言語文化学会 (27) 163 - 176 0919-7656 2006/10

MISC

  • 「ピクチャレスク」("picturesque")の概念史研究に関連する資料 ― ウィリアム・ギルピンの経歴と著作
    岩井 茂昭  生駒経済論叢  16-  (2)  69 (113)  -76 (120)  2018/11

Research Grants & Projects

  • English Romanticism in terms of the History of Ideas
    The Other Research Programs
    Date (from‐to) : 1996 -2009


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